by pete gage » 17 Oct 2011, 15:59
Hi, I'm Pete Gage, NOT to be confused with the Pete Gage from Vineggar Joe who was married to Elkie Brooks. No, I was the other Pete Gage, and I just want to say how sorry I was to hear of Jet's passing.
I met Jet at a gig in January 1967 when my band, "The Sloane Squares" were support band for the Jimi Hendrix Experience at the Brady Club in London's Whitechapel. After the gig, Jet asked me to meet up with Tony Meehan about becoming the singer in a new project/comeback he was planning with Tony managing him. I got the job and on May 24th 1967 we cut My Lady and You Don't Live Twice at Fontana's Phillips studios, Marble Arch. I still have the guide vocals recorded that day on a 45 acetate disc. The actual released vocals were recorded a few nights later in a studio in Bond Street.
Produced by Tony Meehan, My Lady has me & Jet singing unison on the verses, while I do the chorus's on my own (double-tracked). Jet plays Jew's Harp at the end, and of course, he is playing bass. He also does the whistles for effect. The "B" side was just me, Pete Gage, singing, NOT Jet. Jet played the bass. It's Ray Cooke on drums, and a load of session musicians including Big Jim Sullivan on guitar. Behind the glass were Jackie Ray and Les Reed (writers of You Don't Live Twice) and Tony Meehan who also conducted the orchestra. It was Les Reed on the piano of You don't Live Twice. When the single was released in July, four panellist's, Adam Faith and Anita Harris included, all voted this a hit on Juke Box Jury (Jet was a mystery guest on that program). It didn't chart, but it did go to number 28 on the Radio London chart as a"John Peel Climber". There was a Melody Maker review in July 1967 mentioning my involvement, but of course Jet was the focus. There was a big feature in the Daily Mirror sometime in July 1967.
We eventually went on the road around September 67, with Mike Vaughn-Jones (Hammond Organ), Billy Adamson (Drums) and Ernie ? (Guitar), all from a soul-band called Sonny Child and the T.N.T, plus myself on vocals, and Jet on (sometimes very shaky) bass. We worked the Bailey's circuit (working-man's clubs, as they used to be called) spending a week at a time in Spennymoor, Manchester, Newcastle and Sunderland. We were a soul covers band, a couple of Howard Tate, Chris Farlowe things, Summertime, You Keep me hangin' on (Young Rascals-style), and Booker T stuff etc. Jet also did a medley of Diamonds/Scarlatt O'Hara which he never liked to do at the time, always making a bit of a mess of the melodies. Jet was struggling with his drinking at the time, in and out of sobriety, and finally and the lads all walked out of the band, after only a couple of months, when they got an offer to work in P.P.Arnold's band. All except me, who was ready to give it another go.
But Jet and Tony called it a day, and Jet said he was heading back to Cheltenham. I dropped out of the scene for a while, but got into blues around London and Bristol for the next 26 years. Then, I joined Dr Feelgood, taking over from Lee Brilleaux who died in 1994 on the same day as Kurt Cobain. That's another story. But for all those die-hard Jet Harris fans, I just wanted to clarify those hazy days of 1967, and put the record straight. I used to like Jet despite his intense liking for "Brandy & Port" at the time. And he liked me. We were mates. I have many memories of all the gigs of that year. I have always felt that Jet's 1967 comeback and the release of this single have been overlooked. But it was an important time in his history. I am SO glad that Jet went on to find a loyal and loving wife and many years of recovery from his alcoholism. R.I.P. Jet
Cheers for now, and best wishes to all of Jet's fans.