rogera wrote:Martyn I carried out the work and modifications on the Meazzi that you spoke of and I assure you that the head spacings are derived from the delay timings involved in the EFTP patches.
As I'm sure you know Charlie carried out a great deal of work to calculate original echo delays and from the investigations that I've done I'm sure that he is correct.
Hi Roger,
I confess that even without Bruce's guitar, it's still tricky for me to isolate Hank's echo repeats enough in my head to establish precisely what I'm hearing, which is why I posed the question really. It's just a suspicion nagging at me and although I've slowed down the track to hear the repeats more precisely, even after doing this I'm still unsure.
Charlie and I have discussed this specific tune at length and do occasionally revisit the subject. I've always had a nagging feeling that the emphasis or volume of the individual repeats on the original recording varied slightly in intensity from those I hear on my Magicstomp or previously owned Q2 - it's difficult to put into words but when Justin demonstrated his unit's Apache echo I
thought he said its repeats differed subtly from his own M/stomp's EFTP version, but I could be wrong with this recollection, which is how this subject came about again and I wondered if maybe he'd modified his echo settings to his own specification, rather than use Charlie's.
Is it possible for the user to alter the spacings, timings and intensity or volume of each repeat on a Meazzi, unlike the M/stomp whose patches are essentially hardwired and not tweakable other than perhaps overall volume, tone or quantity of repeats? As you know, my technical knowledge is quite limited but I am trying to learn as I go along.
Regards,
Martyn