by abstamaria » 11 Mar 2011, 03:45
The Shadows and Cliff occupy what I sometimes think of as the "sweet era" - that brief period from 1958 to 1963. Chuck Berry was about to be jailed, Elvis had gotten drafted, Buddy Holly, Richie Valens, and the Big Bopper had perished in the plane crash, and the music had died, as McLean's song goes, perhaps yielding to the establishment that didn't much like rock and roll. The music that followed was simplistic and uncomplicated and generally revolved around unrequited love among teenagers, depicted as the clean-cut boys and girls next door, at least in the U.S. I think Cliff's songs were of this type. I was just beginning to listen to music in 1960, so identify very closely with the Shadows and Cliff Richard. However, most other people, especially younger ones,find the music too simple, sometimes repetitive.
In late '63, the Beatles (still clean-cut guys in suits) began to change the scene, they evolved into something much more raw and perhaps more honest, the Rolling Stones came around, bringing back the Blues to the U.S., and - in this part of the world where I live anyway - the Shadows, Ventures, Cliff, Bobby Vee, Ricky Nelson, etc. ... faded away. Tastes change very rapidly in the musical world.
When we put together our series shows (by the Madeleine Cookie Company) that concentrated on music from the "sweet era," we were very aware that audience age was a critical factor. A person born just a few years after me (I was born 1948) might have never heard of the Shadows. Our bassist Anna, ten years younger than me, who is very talented and musical, didn't know most of the Shadows and Ventures pieces we play.
Now, on Cliff. I have a good Japanese friend who loves the Ventures as do many Japanese (the "beloved invaders," they call the band). He is a year older than me, but doesn't know the Shadows much (perhaps because he is a loyal Ventures fan); he refers to our boys as "Cliff's backing band." Cliff may well be more popular there thna the Shadows.
A fellow who works for me and sometimes doubles as our "roadie" is about 38; he heard the Shadows only because we play the music. One evening, when we were jamming at a friend's place, the band played "They Young Ones." He had never heard the tune before and was so mesmerized by it. It has become one of his favorites, but what struck him profoundly was the opening lead guitar.
Sorry for the rambling and probably inaccurate information. My thoughts only.
Andres