I was lucky enough to be able to visit the Fender factory in Corona (and the Visitor Center [sic]) last Monday. Entry to the center and the tour are... wait for it... free of charge! At least, they are until 31st December.
The Shadows are not featured much at Corona, but one of their hit records does get a name-check in the main room of the visitor centre (high up on the walls), along with several hundred other hit titles recorded with Fender guitars (as far as anyone knows).
Have a guess which track it is...?
It was great to be able to see every aspect of guitar production at Corona, from the input billets of timber right through to highly-polished works of art ready for delivery to the distribution wing of the company. The only bit we didn't see first hand was spraying - this because California law is very stringent on the H&S aspects of paint and lacquer spraying.
I did get to ask a couple of questions. One was whether Fender still have the ability to accurately reproduce any guitar model they've ever made (apparently they do, and they still do the Bass VI and the Electric XII, but only as - expensive - one-offs at the Custom Shop). I also asked about Fiesta Red for Europe. Our guide confirmed that Europe does ask for a disproportionate number of FR guitars. I wonder why that might be?
Incidentally, the next day, I was at Jim Elyea's "History For Hire" workshop. Some of the guitars sold in the UK in the sixties, it seems to me, were (the comparatively rare) Coral Pink, which looks in isolation like a slightly pinker version of FR and easily confused for it, but easily distinguished when seen side-to-side with FR (which, at HFH, they are, in immaculate examples).
At Corona, I even saw the workstation of the famed Abigail Ybarra, though not, sadly, the lady herself, who was on a day off. I'll post some pics and a better description at a later date.
JN
PS: My name, and The Secrets, are mentioned at the Fender Visitor Center...


