...and The Tornados' Globetrotter sounds like Mark Wynter's Venus in Blue Jeans...
Martin.
Martin Page wrote:...and The Tornados' Globetrotter sounds like Mark Wynter's Venus in Blue Jeans...
Martin.
anniv 63 wrote:Dave Colin and Neil only appear very briefly as crowd scene extras at an awards presentation.
Blink and you will miss it!!
Mike
captainhaddock wrote:I must confess that until watching "Telstar" last night, I had not heard of the plagiarism case that robbed Joe Meek of his royalties. However I do recall as a child, the feeling that the theme from "The High Chapperal, sounded rather similar.
http://youtu.be/xfSdTa-vKQ4.
Just how close does a tune have to be , before it can be considered a copy?
JimN wrote:Doris Day's I'll Never Stop Loving You and Eric Coates' The Dambusters' March, anyone?
JN
abstamaria wrote:That was a sad story about Joe Meek, though. For those who don't know (and I may be the only one), the case was resolved in his favor. Here's a quote from Wikipedia:
"A French composer, Jean Ledrut, accused Joe Meek of plagiarism, claiming that the tune of "Telstar" had been copied from "La Marche d'Austerlitz", a piece from a score that Ledrut had written for the 1960 film Austelitz. This led to a lawsuit that prevented Meek from receiving royalties from the record during his lifetime, and the issue was not resolved in Meek's favour until three weeks after his suicide in 1967. Austerlitz was not released in the UK until 1965, and Meek was unaware of the film when the lawsuit was filed in March 1963."
Andy
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