Tigerdaisy wrote:ecca wrote:Stuff and nonsense.
It's 100% the player.
Yes, I'd almost agree with that... I don't visit 'Shadows' clubs often but on the one occasion I did the guy with the cheapest equipment was the most impressive simply because he could play and play extremely well. He had a Squier Strat. The size/cost of your equipment is irrelevant its what you do with it...
Budget gear set up properly can allow a very satisfactory "Shads" sound.................but you must have that gear to play through or you will sound like nobody.
The player is the most important part of the sound but, will always remain a part of the sound.
The better the player the better the "sound"..................Yes..........but not always, I have heard very good players get caught up in the Gear Acquisition race & finish up constantly changing things around instead of just playing through a set up that suits them (& if they are a professional pleases their clients/audiences).
HBM's live sound in the early 60's was great using just an echo box sitting on a chair & a Vox amp to play his Strat through.
His orig Strat would have been to the same standard as a current USA Strat today, no custom shop/signature guitars from Fender in those days.
If HBM could do it in 1961 why can't people do it today with just guitar-echo box-amp ?..............the electronic gear is out there of course, many people can get so very close to "That Sound" , witness the sound files posted here & on places like utube
A "bedroom" player like me can get a (close enough for me) Shads sound with a Zoom G3 & a small valve amp, playing a more or less standard MIM Strat (11-54 strings)
I still think around 50-75% down to the player
Oh well
