Going back to what Jim was saying about recording level and VU meters, when making compilation cassettes (or 'mixtapes' as seems to be the 'retro' name for them) people (well...me!) used to pride themselves on setting the recording level on the cassette recorder so as to maximise the volume of the source (without distortion) - so it would be set to a medium setting for a 'normal' 12 or 14 track LP, a fair bit higher for a 20-track LP, a bit lower for a 45 and lower still for a 78 as they seemed to be the loudest. In fact, I believe there is a school of thought that says that 78rpm records have the best sound quality of all records as they have the greatest groove length:sound quality ratio (notwithstanding the hiss, of course - which is often barely noticeable on 'loud' rock 'n' roll songs anyway). My CD player has a 'peak search' facility which makes it easier when including CD tracks on compilations. Is anyone still reading...?!
I still listen to cassettes when I'm doing the ironing...
Incidentally, re.
I Want You to Want Me, is it my imagination or is there a touch of reverb on the guitar on the mono single which is absent on the stereo? There are a few other instances of this...the drums at the end of
Tomorrow's Cancelled, for instance.
PS (!) referring to the Early Years boxed set, I agree with all earlier comments regarding the excellence of this. I've only really appreciated recently how gorgeous the remixed-for-stereo
Lady Penelope sounds on the 1966 CD (CD 5, I think).