Uncle Fiesta wrote:Don't forget, Hank is 75 now. If he can't find something to record with a bit more life in it than Moon River maybe it is time to retire.
Some might have thought the same of
Summertime. Hank's treatment of it, however, was spectacular, IMO. It's not an arrangement anyone would choose to play at a Shadows club, in fact it's not a performance piece at all, but it's a wonderfully smooth production, and with the trumpet it feels far more organic than some of his previous work. It has a real progressive, experimental, improvised feel and it worked big-time. We know there's trumpet and flute on the new album, so hopefully they're exploring that organic angle.
Moon River is a beautiful melody, so it won't be a filler track, and I can't wait to hear what approach Hank takes with it.
I'm excited as the new record is being billed as a follow-up to the "Hank" album. which had some wonderful ideas and tracks. Although a lot of tracks were obviously chosen by the record company and didn't lend themselves to instrumental conversion (some here will know of my thoughts on how Hank has been treated by his record companies), there were some stunning pieces.
Summer of '42 was one of the best covers Hank has ever made, and I can easily visualise him performing
A Taste of Honey. That descending phrase on the 12-string in
Sealed with a Kiss is such an ear-satisfying moment, and
Summer Guitar is an instrumental masterpiece.
Hank has the best guitar sound he's had in years and he's still providing us with new ideas. Long may it last.
Now, how about a one-off gig at the Albert Hall while he's in the country?
J